Copyright © 2026 R.E. Smith All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, including electronic, mechanical, photocopying, recording, or otherwise, without prior written permission from the author, except for brief quotations used in reviews or critical articles. This is a work of fiction. While this novel was inspired in part by historical accounts, regional folklore, and the real medical condition associated with the blue-skinned Fugate family of Kentucky, the characters, events, dialogue, supernatural elements, and specific story circumstances are fictionalized. Any resemblance to actual persons, living or dead, beyond broad historical inspiration is coincidental or used fictitiously. Published by R.E. Smith First Edition
Fugate
The Blood of Troublesome Creek
By R.E. Smith

Prologue
Long before anyone in Troublesome Creek knew what to call the blue, they knew enough to fear it.
Fear did not always come with shouting. Most times it came quiet. It came in the way a woman lowered her voice at the well when a Fugate passed near. It came in the way children were pulled closer by the shoulder, in the way men stopped laughing too fast, in the way certain names were left out of church prayers because speaking them aloud felt too much like opening a door.
The hills kept doors like that.
They kept everything.
A secret buried in flat country might work loose after a hard rain. It might rise in a field or show itself beneath a plow. But in the Kentucky mountains, secrets had roots. They held fast under laurel, under creek stone, under cabins built by hands that knew better than to leave windows facing the wrong way. A thing hidden here could sleep for generations, fed by silence, warmed by blood, waiting for the one child born unlucky enough to ask the right question.
Troublesome Creek ran through those hills with a patient mouth.
It had carried baptisms and drowned dogs, fever water and wash water, blood from skinned knuckles, tears no one admitted shedding, and whispers dropped from bridges by people who thought moving water could be trusted. The creek accepted all of it. It did not forgive. It did not forget. It only carried things around the bend and made them harder to find.
The Fugates lived along that water.
Some called them cursed. Some called them marked. Some said the color came from the land itself, from minerals in the wells or something strange in the creek bed. Others blamed sin, because sin was a useful basket and could hold whatever a preacher needed to put in it. The older folks said less. They had learned that words were like sparks in a dry barn. One careless sentence could burn down a family.
Still, everyone looked.
They looked at the blue lips. The blue hands. The blue cast beneath the skin, darkening at the knuckles and ears, deeper in winter, stranger in summer when the sun browned others and left the Fugates looking as if they belonged to shade. They looked, then looked away, then told themselves they had not stared.
That was the bargain the county made with itself.
See nothing. Say little. Remember everything.
But bargains made by the living do not bind the dead.
The dead had their own records. Names inked in family Bibles. Marriage lines written in careful hands. Birth dates pressed between pages with dried flowers and old grief. Death dates added later, sometimes honestly, sometimes not. Letters folded and hidden. Receipts kept for things no one should have bought. Land papers stained by damp and touched too often by men who claimed they wanted only to preserve history.
History was a polite word.
What the Fugates kept was not polite.
It was blood measured across time. It was kinship turned into a ledger. It was a color passed from cradle to coffin, through mothers who prayed, fathers who lied, and elders who watched children with the tired eyes of people waiting for a debt to come due.
Every family has a story it tells outsiders.
Every family has another one it tells itself.
And some families have a third story, the one nobody tells at all.
In Troublesome Creek, that third story wore blue.
It sat beside beds when babies were born. It stood in churchyards where the graves leaned crooked in the grass. It waited on porches after supper while lamplight turned windows gold. It moved through kitchens in the silence between a boy’s question and his father’s answer.
The hills knew the story.
The creek knew it.
The locked rooms knew it.
And soon, so would Elias Fugate.
Contents
Copyright 2
Prologue. 3
Chapter 1 — Creek Water 7
Chapter 2 — Counting the Blue. 41
Chapter 3 — The Floorboard by the Hearth. 80
Chapter 4 — Relatives Below.. 112
Chapter 5 — The Descent 145
Chapter 6 — The Mouth of Stone. 181
Chapter 7 — The Scream Below.. 207
Chapter 8 — Broken Iron. 225
Chapter 9 — Jonas at the Tunnel 239
Chapter 10 — Make Me See You Coming. 259
Chapter 11 — Blue as Creek Slate. 277
Chapter 12 — The Horse and Cart 286
Epilogue. 299
Author’s Note. 309
Fugate
The Blood of Troublesome Creek
Chapter 1 — Creek Water
Troublesome Creek ran low that morning, low enough for the stones to show their slick backs through the brown-green water.
Elias Fugate stood barefoot on one of them with his trousers rolled to the knees and a fishing line wrapped twice around his wrist. The creek dragged at his ankles, cold from the shaded places up the hollow, and worried little threads of mud loose from between his toes. Every now and again a minnow flashed near him like a bit of dropped tin.
He had not caught anything.
That was not unusual.
Fish did not seem to favor him.
His father said fish had sense enough to know when something hungry stood above them.
Elias had laughed when Silas said it, because Silas had smiled, and because a son learned early which of his father’s jokes were meant to be laughed at.
Now he watched the black thread of his line sway in the current. The hook had lost its worm some time ago. He knew it. He had known it for near ten minutes. Still he held the line there, because standing in the creek gave him a reason not to be anywhere else.
The settlement was waking behind him.
He could hear it through the trees: axe strikes from the Stacy place, a woman calling a child away from the mule pen, wagon iron knocking over stone, chickens announcing private disasters to the morning. Somewhere up the road, Jonas Fugate gave his big, stupid laugh. It rolled down through the leaves and landed badly in Elias’s stomach.
Elias looked into the creek.
The water made a poor mirror unless a person wanted the truth broken into pieces.
His face drifted beneath him, stretched thin by ripples. Dark hair, straight nose, narrow jaw not yet finished growing into itself. Eyes pale gray, almost colorless in the creek light.
And the blue.
Always the blue.
Not bright. Not storybook blue. No painter would have wasted a clean sky color on him. His skin was the color of smoke trapped under ice, deeper at the lips, the ears, the knuckles, the hollows beside his fingernails. In winter he looked nearly bruised all over. In summer, when the sun browned other boys, it did nothing to him except lay a dull cast over the blue, as if he had been dug up rather than born.
He flexed his hand over the water.
The reflection flexed back.
“Ugly thing,” he said softly.
The creek took the words and broke them.
A branch snapped behind him.
Elias did not turn at once. People were always passing along the creek road. Most pretended not to see him until pretending became more work than speaking.
“Morning, Elias.”
He glanced over his shoulder.
Mrs. Ritchie stood on the bank with a basket hooked over one arm and a sack of cornmeal hugged to her side. Two girls stood behind her, both younger than Elias, both sun-browned and brown-eyed and ordinary as fence posts. Their names were Ada and Pearl, though Elias had never been able to tell which was which unless someone said it first.
“Morning,” Elias said.
Mrs. Ritchie smiled too widely.
“Your daddy got you fishing this early?”
“No, ma’am.”
“Fish biting?”
“No, ma’am.”
Her eyes moved to his bare legs in the water. Then to his hands. Then to his face. She had seen him every week of his life, and still she looked in pieces, never all at once.
One of the girls whispered, “He don’t look cold.”
Mrs. Ritchie’s hand came back quick and slapped the girl lightly in the chest without looking.
Elias heard it anyway.
He raised his dripping blue foot out of the creek and set it on the next stone.
The girls leaned back.
Not much.
Enough.
Mrs. Ritchie’s smile tightened until it showed the strain in her teeth.
“You tell your father I said good morning.”
“I will.”
“And your granddaddy.”
Elias watched her face when she said that. The smile stayed, but something behind it stepped away from the window.
“I’ll tell him too,” Elias said.
Mrs. Ritchie nodded. “You do that.”
She gathered the girls with her elbows and continued down the path. The girls waited until they believed themselves hidden by laurel before one asked, “Mama, is he the same kind as Old Nola?”
“Hush.”
“But is he?”
“I said hush.”
Their voices thinned into the trees.
Elias looked back into the creek.
There were others blue in Troublesome. Older people. Grown people. A baby or two wrapped tight and guarded from too many eyes.
But there were no blue boys running the road with fishing poles and bruised knees.
No blue girls at the well, no blue children near his age at church, no one blue and sixteen.
Only him.
Elias pulled the line from the water. The bare hook swung in the sun.
“Course,” he said to it. “You’d be empty.”
A wagon came along the road above the creek, wheels grinding slow. Mr. Combs held the reins, his beard yellowed under the mouth from tobacco. Beside him sat his son Henry, eighteen and thick through the shoulders, with a face that always looked as if it had just been told a joke it did not understand.
Henry saw Elias first.
He looked away too fast.
Mr. Combs did not look away at all.
“Elias,” he called.
“Sir.”
“Your granddaddy wanting you today?”
The question came dressed plain, but it was not plain.
Elias wound the line around his fingers. “I don’t know.”
Mr. Combs chewed, spat over the wagon side, and missed the road by a foot.
“You best know.”
Henry shifted beside him. “Pa.”
“I’m talking.”
Elias stepped from one stone to another, water sheeting off his shins. “Granddaddy can send for me if he’s wanting me.”
Mr. Combs’s eyes narrowed.
For a moment, only the creek spoke.
Then Henry said, too brightly, “You catch anything?”
Elias lifted the empty hook.
Henry gave a laugh that died when no one joined it.
Mr. Combs clicked his tongue to the horse. The wagon moved on.
Elias watched them go until the road bent.
Then he crouched and rinsed his hands in the creek, though they were not dirty.
The water slid over the blue of his fingers. It made them look almost natural. Almost part of the creek bed. Something stone-like, something born where the sun did not reach.
He thought of what Mrs. Ritchie’s girl had asked.
Is he the same kind as Old Nola?
Kind.
Not color.
Not family.
Kind.
Elias closed his fist under the water and held it there until his lungs began to ask for air, though his hand had nothing to do with breathing.
When he pulled it up, the morning light caught every drop along his knuckles.
Behind him, from far up the road, came Jonas Fugate’s laugh again.
This time another voice joined it.
Lower.
His father’s.
Elias stood very still on the creek stones, hook hanging bare from his hand, while the two men’s laughter rolled down through the hollow toward him.
The laughter came again. Jonas first, big and open. Silas answered with something softer.
Elias stepped off the stone and into the shallows, letting the creek slap around his calves. He gathered his boots from the bank, knocked one against the other to shake out the grit, and shoved his wet feet into them without bothering with stockings. The leather took him badly. He welcomed the pinch.
The road up from the creek was narrow and rutted, with blackberry canes dragging at both sides. Morning heat had begun to lift the wet smell out of the dirt. It carried creek mud, mule droppings, woodsmoke, and the sour mash scent from somebody’s barrel gone working too early in the day.
Elias climbed toward the settlement.
Troublesome was not much of a town, if a person meant a place with a proper street and signs and a bell that rang for something other than church or fire. It was a scatter of cabins, sheds, corn patches, smokehouses, lean barns, and one general store with a porch that sagged in the middle like it had heard enough from men.
That porch had three men on it.
It usually did.
Mr. Halcomb sat nearest the door, whittling a stick into something too thin to be useful. Beside him, Preacher Vale held a tin cup in both hands, though Elias doubted there was coffee in it. The third man was Wesley Pike, who owned no land, borrowed every tool twice, and somehow always knew where other people were going before they arrived.
All three watched Elias approach.
Then all three found separate things to look at.
Elias scraped mud from one boot on the store step.
“Morning,” he said.
Mr. Halcomb lifted the stick. “Elias.”
Preacher Vale nodded once. “Son.”
Wesley Pike gave him a grin. “Been fishing?”
“Been feeding worms to water.”
“That’s a Christian use for a worm,” Wesley said.
Preacher Vale did not like that, or did not want to be seen liking it. His mouth tightened around the rim of his cup.
Elias stepped onto the porch. The boards dipped under him.
Inside the store, Mrs. Peavy was measuring beans for somebody. The dry rattle came through the open door. Elias could smell salt pork, tobacco twists, kerosene, flour dust, and peppermint candy kept in a jar no child was allowed to touch with bare fingers.
Mr. Halcomb’s knife moved along the stick.
Elias watched the curl of wood fall.
“Mr. Halcomb,” he said, “why are some folks blue?”
The knife stopped.
Wesley Pike’s grin went crooked, as if one side had lost its nerve.
Preacher Vale looked down into his cup. “That ain’t a porch question.”
“What kind is it?”
“A private one.”
“Whose private?”
Preacher Vale breathed through his nose. “Family’s.”
Elias looked at Mr. Halcomb. “You ain’t family.”
“Lucky me,” Wesley said.
No one laughed.
Mr. Halcomb set his knife flat across his knee. He was a small man with a beard cut close to the jaw and eyes that had the yellow cast of old lamp glass. “Blood does things,” he said.
“What things?”
“Family things.”
“That’s not an answer.”
“It’s the answer I got.”
Elias turned to Wesley. “You got one?”
Wesley leaned back in his chair until it complained. “I heard it was the creek. Minerals. Copper maybe. Or something in the well up by your granddaddy’s.”
Preacher Vale said, “Don’t spread foolishness.”
“You spread yours on Sundays. Let me have Tuesday.”
“It’s Thursday,” Mr. Halcomb said.
“Then I’m late.”
Elias did not smile. “Copper makes people blue?”
Wesley lifted both hands. “I ain’t a doctor. I’m hardly a Wesley.”
Preacher Vale set his cup down. “The Lord marks families as He sees fit.”
Elias turned to him slowly. “So God did it?”
“I said marks.”
“For what?”
The preacher’s eyes rose to Elias’s face and stayed there with effort. “That is between the Lord and your house.”
“My house keeps saying it’s between me and somebody else.”
Mr. Halcomb picked his knife back up. “Boy, a man can spend his whole life asking why his roof leaks and still get wet. Best fetch a bucket.”
“That mean stop asking?”
“That means don’t stand under the hole.”
From inside the store, Mrs. Peavy called, “Elias Fugate, you buying or haunting?”
Wesley barked one laugh before strangling it.
Elias turned into the doorway. “A penny peppermint.”
Mrs. Peavy stood behind the counter with one hand sunk in a sack of beans. She was wide, red-faced, and had the only clean apron in Troublesome before noon. Her eyes moved to the jar of peppermint, then back to him.
“You got a penny?”
Elias took one from his pocket and set it on the counter.
She stared at it.
“You scared it’s blue too?” he asked.
Her hand came out of the beans.
Behind him, Wesley murmured, “Lord, boy.”
Mrs. Peavy took the penny, opened the jar, and plucked out one peppermint with two fingers. She wrapped it in a twist of paper and put it down.
“You got your daddy’s tongue,” she said.
“My daddy answers questions when he wants something.”
“And you?”
“I ask them.”
“That ain’t the opposite.”
Elias picked up the peppermint. “Why are some folks blue?”
Mrs. Peavy’s face changed less than the others. Not because she was untroubled. Because she was better at troubling back.
“Some dough rises,” she said. “Some don’t. Some children come brown as walnuts, some pale as tallow, some with hair red enough to start gossip at twenty paces. Folks are born how they’re born.”
“Then why does everybody look like I asked where the bodies are buried?”
Wesley went silent on the porch.
Mrs. Peavy folded the bean sack shut. “Because in this county, honey, that question usually has an answer.”
“Because in this county, honey, that question usually has an answer.”
Mrs. Peavy held his eyes after saying it, her hand still resting on the folded bean sack, fingers pressed into the cloth hard enough to make little pale dents along her knuckles.
Elias waited for her to go on.
She did not.
Outside, Wesley Pike shifted in his chair. The porch plank groaned under him like an old man asked to stand.
Elias turned the wrapped peppermint over in his fingers. “Then whose answer is it?”
Mrs. Peavy’s mouth flattened.
Preacher Vale said from the porch, “Boy.”
Elias did not look away from her.
Mrs. Peavy leaned both palms on the counter. Her voice dropped low enough that the men outside had to pretend not to listen harder.
“You are old enough to know better than to ask a woman to hand you another family’s trouble.”
“It’s my trouble.”
“That don’t make it yours to hold.”
“It’s on my skin.”
The words came out sharper than he meant them to.
Mrs. Peavy’s eyes flicked to his hands, to the dark blue gathered along the nails.
For one second, her face softened. Not with pity. Elias hated pity and could smell it faster than rain. This was something else. Almost apology.
Then the store door creaked behind him, and the softness vanished.
A woman came in carrying a basket of eggs packed in cloth. She stopped when she saw Elias at the counter, then looked at Mrs. Peavy.
“I can come back.”
“You can come in,” Mrs. Peavy said. “The eggs won’t blush.”
The woman gave a thin laugh and eased around Elias as if his color might rub onto her sleeve.
Elias put the peppermint in his pocket.
“Thank you,” he said.
Mrs. Peavy took up her scoop again. “For the candy?”
“For the almost-answer.”
She did not smile. “Almost-answers keep people alive longer than whole ones.”
He stepped back onto the porch.
Wesley Pike had recovered enough of himself to grin. “You get what you came for?”
Elias went down one step. “A peppermint.”
“That’ll improve your nature.”
“Would take two.”
Wesley’s grin became real despite himself.
Preacher Vale stood so suddenly his chair scraped the boards. He was a narrow man with black clothes shiny at the elbows and a collar too tight for his throat. “Mind your tongue, Elias.”
Elias looked up at him. “Folks keep saying I got my daddy’s.”
“That is not comfort to everybody.”
“No, sir. I reckon not.”
The preacher’s face worked as if several sermons were trying to squeeze through the same door.
Mr. Halcomb spoke without looking up from his whittling. “Leave the boy be, Vale.”
“He needs guidance.”
“He needs breakfast, most likely.”
“I had breakfast,” Elias said.
Mr. Halcomb shaved another curl from the stick. “Then you’re ahead of Wesley.”
Wesley Pike touched his hat brim. “Slander improves a man’s appetite.”
Elias stepped off the porch into the road. Dust stuck to the damp leather around his boots. He could feel the peppermint in his pocket knocking against his thigh as he walked.
Behind him, Preacher Vale said something too low to hear.
Then Mrs. Peavy answered loudly from inside, “If the Lord wanted you whispering, He’d have made you smaller.”
Elias allowed himself half a smile.
It did not last.
The road bent past the store toward a line of cabins tucked beneath walnut and chestnut trees. The settlement thinned there. Chickens scratched beneath pokeweed. A hound slept in the middle of the path, one ear twitching at flies. From somewhere came the rhythmic slap of wet clothes against a washboard.
Old Nola’s cabin stood at the far edge of the cluster, near where the woods began again.
It looked less built than accumulated. Boards of three different ages. A chimney listing left. Bundles of drying herbs hanging under the eaves like dead birds tied by the feet. The yard was crowded with jars set on stumps, each filled with something suspended in cloudy liquid. Roots, Elias hoped. Small animals, he suspected.
A strip of blue cloth had been nailed above the door.
Not painted blue.
Cloth blue.
Faded almost gray.
Elias stopped at the gate.
Old Nola Fugate sat in a chair by the doorway, shelling beans into a pan on her lap.
She had looked old for as long as Elias could remember, but not in the way other people looked old. Other old people seemed to be drying up or folding inward. Nola seemed to be hardening. Her skin had gone a deep iron-blue, dark around the mouth, darker still beneath the cheekbones. Her hair was thin and white, braided so tight it pulled her eyebrows up into a permanent expression of unpleasant curiosity.
She did not look surprised to see him.
That bothered him more than if she had.
“You stepped in creek,” she said.
Elias looked down at his boots. “Yes, ma’am.”
“Wormless hook. No fish. One peppermint in your right pocket. Mrs. Peavy nearly told you something and swallowed it whole.”
He stared.
Nola cracked a bean pod with her thumb. “Don’t stand there showing flies your teeth.”
“I wasn’t.”
“Then come in the yard and lie closer.”
Elias opened the gate.
It gave a squeal that set a black hen flapping under the porch. The smell around Nola’s cabin was bitter and green from the herbs, with something metallic beneath it, like an old knife left wet.
He stopped a few feet from her.
Nola looked him from boots to hair.
Not the way Mrs. Ritchie had looked.
Not in pieces.
Nola looked at him whole, and Elias felt worse.
“You been asking,” she said.
“Yes, ma’am.”
“Folks been answering?”
“No, ma’am.”
“Good. Most of ’em ain’t qualified to breathe unsupervised, let alone explain blood.”
Elias watched her hands move through the beans. Her fingers were long and knuckled, blue-black at the joints.
“You delivered me,” he said.
Nola dropped beans into the pan. “I did.”
“Was I blue when I came out?”
She smiled without pleasure. “Boy, you came out looking like thunder had learned to cry.”
Elias swallowed.
Nola watched his throat move.
“My mother see me?”
“She saw you.”
“Was she afraid?”
The beans stopped.
Around them, the yard seemed to listen.
A fly walked along the rim of one cloudy jar. Inside it, a pale root turned slowly in the sun-warmed liquid, shaped too much like a curled finger.
Nola resumed shelling.
“Your mother was tired.”
“That ain’t what I asked.”
“No. It’s what I answered.”
Elias stepped closer. “Was she blue?”
“You know she wasn’t.”
“I know what I was told.”
“She was not blue.”
“Then why am I?”
Nola threw an empty pod into a basket at her feet. “Because your father is.”
“That simple?”
“Nothing simple ever made it this far up the mountain.”
Elias looked toward the trees behind her cabin. The woods were thick there, laurel and oak packed close, shadows lying under them even in late morning.
“There are others blue,” he said. “You. Granddaddy. Pa. Uncle Jonas. Aunt Mercy. Aunt Ruth Ann. The elders. The babies.”
Nola’s hands slowed.
“No one my age.”
The old woman did not answer.
Elias turned back to her. “Why?”
Nola took one bean between two fingers and held it up.
“Look at this,” she said.
“I see it.”
“No, you don’t. You glance like a town fool at a court notice. Look.”
He looked.
The bean was small, pale green, curved slightly from growing tight in the pod.
“Plant it,” Nola said, “and maybe it grows. Maybe a worm gets it. Maybe drought. Maybe it gives you twenty more. Maybe nothing but a yellow leaf and disappointment. But it knows what it is before dirt ever covers it.”
Elias frowned. “I don’t.”